Leonie Kellein (*1993, CH) works primarily with moving image. Her practice centres on the investigation of the filmic gaze and technique in a process of layering that employs narrative structures and forms while drawing atten- tion to the media themselves. In her work - spanning film, sculpture and installation in space - moments of distur- bance, surveillance, suspense and repetition are deployed with intentional ambiguity to create a kind of splitting of real time into a double state. This double state is viewed by Kellein first and foremost as a political instrument that sets the carrier devices of images such as cameras, drones or recording devices in relation to the body’s sensory feedback.