It‘s In My Body is designed as a shared social event. A series of works in a range of media explore the blurred boundaries of score, archive, and performance. The works featured include a translucent dome, into which the sound present in the space is fed through a microphone, generating a score of the evening in real time. The transmission of recorded sound from the outside into the centre of the dome represents a splitting of real time into a doubled state, a contemporaneous score, transcribed by a pitch meter that visibly reacts to the ambient noise. Viewers become interpreters, producing and responding to their sonic script.
50 postcards able to be read as a score for future enactment make reference to an extensive archive of photographs by the artist collective → PaJaMa founded in 1937, whose intimate practices of staging and collaboration produced images that were only initially secretly shared at parties and social gatherings.